![]() There are a total of 403,820 posts in 58,165 threads. In the last 3 days there were 0 new threads and 0 reply posts.So, let's get started with something, that I particularly like :D A glissando. Here it is a harp, but this kind of glissando can work in any kind of instrument really. Strings, a trombone (with limited range), maybe even piano. Specifically for the harp, I had to notate the first 7 notes (E, F, G, A, Bb, C and D), so that the harpist will know how to tune his insturment. The speed of the first seven notes, doesn't really make any difference, but it is usually 32nds as this always creates the notion of. * How to extend the beam lines: Go the speacial tools -> Beam Extention Tool. clicking on the bar of interest will show to handles. Moving the right one will move the beams. In which case you will need to double click on the grabber and choose all choices up to the 32nd. If you try to choose only the 32nd, it will move the bottom beam, but not the above. * How to construct this wavy line: That is kinda tricky and takes effort, but I find the result very appealing to the eye, and the performers actually! In finale2000, on the expression tool -> shape (on the expression selection) -> edit No. In the shape design window, select the legato slur and the double click on the middle handle. It will reveal 2 new handles, each of which moves half of the legato slur. Thus you can create any corner you want with 1 turn. Combining many of these small legato slurs, creates the above glissando. In later versions of finale (2006, for example), you do not need to enter the expression tool, but simply enter a legato slur between 2 notes. Then edit it as described above (with the exception that all handles are already visible). Combine more than 2 to create glissandos as shown. Or a long cluster which takes a long ammount of time, shown either in bars, or seconds, which can be shown as this:Ī short cluster (quarter, half, whole note maybe) can be shown as thus: There are two main ways to imply a cluster, and are distinguished by the length. So let's go to the meanings of the two examples.Įxample 2.1: The said instrument (most probably a piano) will play all pitches from D to B and hold them for the duration of a half note.
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